Nat Urazmetova is a cross-disciplinary artist, story-teller, contemporary music researcher, multi-genre DJ, writer and poet, who worked as a journalist, PR manager and event promoter across many industries - mostly in music, art and fashion. Born in 1984 in Ufa, former USSR. Works and lives in London, UK.

Nat is interested in investigating the slippage between fiction and reality, and in experimenting with the possibilities of juxtaposing language/text and the aural, immaterial, to the visual and the physical – to uncover the speculative, dynamic, sometimes dissonant and disturbing, zones of in-betweenness in which the meaning can be synthesised together with the emotion.

Nat’s practice navigates the sites shaped by humanity’s destructive coercion: nuclear infrastructure, data centres, and the extensions of energy facilities. Those are the threshold environments where myth, science, deep geological past and technology coexist - at the unstable margins.

Nat performed and presented her live visual shows at the venues & festivals: The Bowery NYC; Roundhouse, Earth, Fold, Islington Assembly Hall, Low Profile Studios, Village Underground, Corsica Studios & Sinfonia Smith Square in London; Musikinstrumenten Museum & Volksbühne in Berlin; Modern Art Oxford; Centre for Contemporary Arts Glasgow; LWL-Museum für Kunst und Kultur Münster; and at Glastonbury, Urbanscapes Malaysia, iTunes and European Media Art Festival Germany.

Nat exhibited internationally at TBA21-Academy, Garage Museum of Contemporary Art, The Calvert Gallery, Southwark Park Galleries, the Royal Geographical Society, Athens Photo Festival, NIDA International Photography Symposium Lithuania, Loosen Art Rome, Copenhagen Photo Festival, Kolga Photo Tbilisi, Bar-Tur Photography Award, Fotofest Houston, Fotofreo, Neu/Now, Photomonth, GetxoPhoto Spain, and published a photography book ‘The Persimmon’s Fruit’ (2016).

Nat is a graduate of Goldsmiths College (MA in Digital Media - with distinction, 2010), London College of Communication, University of the Arts (BA in Photography, 2009), the National Research University Higher School of Economics (specialist in International Law - with distinction, 2006).

TO MY HOMETOWN, UFA 2007-2026

THE PERSIMMON'S FRUIT 2012-2020

love is the only hope and pain is the only feeling

ISOLAR, 2010 - 2021

SANCTIFIED, 2024-2025

FIGMENTS, 2020-2021

PETRO-REACH, 2011-2019

featuring ZEMFIRA / Aïsha Devi / MUMIY TROLL / Arca / light-years / Caterina Barbieri, Alif Hilal (fka Lyra Pramuk), Bendik Giske & Nkisi / BERLIN ATONAL / Lord Spikeheart, Pan Daijing, Varg / Nordic Flora, Grand River & Abul Modgard, Sara Persico & Mika Oki, group A, Robert Aiki Aubrey Lowe, Florentina Holzinger, Billy Bultheel, Anthony Linell, Aho Ssan, Hyperverbena (Lechuga Zafiro & Verraco), bela / DEKMANTEL / SPFDJ, Salome, Nadia Struiwigh, CEM b2b Mama Snake, Broken English Club / REWIRE / Laurie Anderson, Alif Hilal (fka Lyra Pramuk), Kinlaw, AKA HEX (Aïsha Devi & Slikback), Billy Bultheel, Zoë Mc Pherson, AYA, Valentina Magaletti / PRIMAVERA / Anohni, Mala Junta (Hyperaktivist, Yazzus, D. Dan & DJ Tool), TV on the Radio, Crystallmess, LCD Soundsystem, Mia Koden, Moritz Von Oswald, Miss Kittin, DJRUM, Dame Area, RHR / ASIAN DOPE BOYS / Tianzhuo Chen, Ylva Falk, Ndoho Ange, Gabber Modus Operandi (GMO), Siko Setyanto, OMI, Lavinia Vago, Léa Djyl, Felix-Florian Tödtloff, City, Kim Khan, Dis Fig.

RUSSIA 2007-2021 / Kalyazin, Kazan, Nizhniy Novgorod, Tver Oblast, Buryatia, Vyborg, Kronstadt, Sochi, Yeysk, Rostov-on-Don, Moscow Region, Saint Petersburg, Tula, Moscow, Ufa / SOUTH KOREA, 2019 / GEORGIA, 2018 - 2025 / PARIS 2025-2026 / USA, 2010-2013 / CAMBODIA & LAOS, 2015-2016 / ARMENIA, 2025 / HONG KONG, 2013 / ECUADOR, 2016

LONDON, 2026

BELGRADE, 2026

RUSSIA FIELDWORK 2010-2021

MALAYSIA & BORNEO, 2017

GALAPAGOS, 2016

BELARUS, 2014

WRITINGS

unspoilt closeness beyond the norm and prejudice

a thirst for silky salty touch of skin, for softness in the eye

unspoken craving larger than the ocean - deep, roaring and tense

soft tissue poisoned by the electricity discharge

inside the dream, torn apart by the presence of the moment,

a shot in bloodstream killing all the fears, the feelings are too fast to render still

IS THERE ANY FURY LEFT IN PHOTOGRAPHY?

A SNAPSHOT INTO THE CURRENT STATE OF SOCIETY in 5805 CHARACTERS

COPYRIGHT © 2026 NAT URAZMETOVA